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DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20260830
DTSTAMP:20260523T182110
CREATED:20260226T183242Z
LAST-MODIFIED:20260523T161651Z
UID:10031931-1780444800-1788047999@lowemill.art
SUMMARY:Stacy Tabb - You Are What You Eat
DESCRIPTION:This exhibition round includes works provided by Stacy Tabb which will be on view in the Third Floor West Gallery from June 3 – August 29\, 2026.  Lowe Mill A&E invites patrons and art lovers to join us for Open Studio Night\, a building-wide experience when our over 150 studios will be open to the public.  The evening also includes receptions for all seven of our gallery spaces. This series gives the public a chance to meet and interact with visiting artists and discuss their work as it is on display and available for purchase. Come out\, enjoy a pleasant evening\, and maybe you’ll find that special piece of art that speaks to you!  The Open Studio Night reception is Saturday\, August 29 from 5-7 pm. \n  \nAbout the exhibit: \nThe “You Are What You Eat Series” is comprised of multiple species of creatures\, each depicted containing their primary food source in place of their scales\, feathers\, shells\, and fur. They were drawn using pencil on paper then transferred to carving blocks via carbon paper. Each was carved and detailed using sharp woodcarving gouges\, then inked and printed on fine\, archival watercolor paper using professional oil-based relief ink. Select prints were then highlighted using watercolor paints. \nThe series is very much inspired by Scandinavian and Pacific Northwest styles of folk art\, where all negative space is filled\, and perspective is very subjective. Geometric shapes take the place of shadows and highlights\, and key elements\, such as the lightning bolts and mayflies\, and are echoed throughout the series. Later pieces contain elements that pay homage to the indigenous cultures that share space with the animals’ native habitats. \n  \nAbout the artist: \nI was born in Huntsville\, AL\, and began drawing and painting from a very early age. My formative years were spent in the cities and deserts of Saudi Arabia\, as I traveled with my family. We explored the art\, landscapes\, and wildlife of over two dozen countries in a series of journeys over multiple\, very influential years. Greece and Egypt were my particular favorites\, and have definite influence in my artwork. \nIn my university education\, I studied graphic design\, drawing\, and printmaking. My artistic training and professional career have explored every medium\, from digital design to technical drawing to website design\, and now back to printmaking. \nIn 2001\, my husband Daniel and I packed our two small children off to Florida\, then spent the next 20 years observing and photographing the diverse wildlife and landscapes. My drawing style is typically very realistic\, so I sought to push that limitation by delving into various artistic styles\, such as the very stylized world of folk art. I always start from a standpoint of realism in my drawings\, then work backwards towards the stylized: the pelican *must* be recognizable as a pelican\, after all. \nIn returning again into printmaking\, I’ve learned to have a clear path\, and know what I want to accomplish from the outset; one cannot just add a shadow with a slightly darker blend of pigment\, or lighten up an area with a bit more titanium white. In printmaking\, everything must be planned from the start\, whether it is positive – in the case a shape or pattern that gets inked – or negative – in the case of a space that is carved out and will not take ink. These work together to form highlights\, the lowlights\, and the entirety of the piece\, and there’s no turning back once carving has started\, so the plan must be solid. \nBack home now in North Alabama\, with the kids all grown up\, we live on an ex-hay farm we’re converting into a fruit and nut orchard\, and making as much art as possible. \n  \n  \n 
URL:https://lowemill.art/event/stacy-tabb-you-are-what-you-eat/
LOCATION:Third Floor West Gallery
CATEGORIES:Coming Soon,Featured,Free Events,Galleries,No button,Open Studio Nights
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20260830
DTSTAMP:20260523T182110
CREATED:20260513T230654Z
LAST-MODIFIED:20260513T230654Z
UID:10030394-1780444800-1788047999@lowemill.art
SUMMARY:Taylor McLendon - What We Carry / What We Release
DESCRIPTION:This exhibition round includes works provided by Taylor McLendon which will be on view in the North Floor Gallery from June 3 – August 29\, 2026.  Lowe Mill A&E invites patrons and art lovers to join us for Open Studio Night\, a building-wide experience when our over 150 studios will be open to the public.  The evening also includes receptions for all seven of our gallery spaces. This series gives the public a chance to meet and interact with visiting artists and discuss their work as it is on display and available for purchase. Come out\, enjoy a pleasant evening\, and maybe you’ll find that special piece of art that speaks to you!  The Open Studio Night reception is Saturday\, August 29 from 5-7 pm. \n  \nAbout the exhibit: \nI am interested in what happens after strength. \nMy work begins at the moment when control slips\, when endurance becomes weight and when myth cracks under the pressure of time\, responsibility and consequence. I paint figures we are taught to trust leaders’ legends and constructed symbols of certainty. I render them not as monuments but as bodies under strain carrying historical expectation and the cost of survival in their posture and surface. \nDripping and running paint is not an aesthetic choice alone\, it is a refusal of containment. Gravity asserts itself across the canvas reminding us that no figure however revered remains untouched by consequence. The paint moves the way memory moves slowly\, unavoidably staining what it passes through. \nRecurring symbols appear throughout my work hands in various stages of holding and releasing the Tin Man in states of becoming historical figures weathered by invisible labor. These are not illustrations of power but examinations of its burden. I am drawn to the space between armor and vulnerability where protection becomes isolation and strength demands silence. \nPlace and absence matter in my practice. Figures rooted in folklore and regional memory exist alongside globally recognized icons not to elevate one above another but to question whose sacrifices are remembered whose stories harden into myth and whose are allowed to fall quietly out of view. History is not neutral\, it chooses what to preserve. \nI do not seek resolution. My paintings live in tension between holding on and letting go between construction and collapse. I want the viewer to feel the weight of that pause. The moment when release is both terrifying and necessary. \nThis work is not about reverence. It is about recognition. \nWe are all carrying something. The question is not whether we endure but what endurance leaves behind.
URL:https://lowemill.art/event/taylor-mclendon-what-we-carry-what-we-release/
LOCATION:North Floor Gallery\, 2211 Seminole Drive\, Huntsville\, AL\, 35805\, United States
CATEGORIES:Coming Soon,Featured,Free Events,Galleries,No button,Open Studio Nights
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20260830
DTSTAMP:20260523T182110
CREATED:20260514T222326Z
LAST-MODIFIED:20260520T224314Z
UID:10033137-1780444800-1788047999@lowemill.art
SUMMARY:Mary Beth Johns - As They Are
DESCRIPTION:This exhibition round includes works provided by Mary Beth Johns which will be on view in the First Floor Ramp Gallery from June 3 – August 29\, 2026.  Lowe Mill A&E invites patrons and art lovers to join us for Open Studio Night\, a building-wide experience when our over 150 studios will be open to the public.  The evening also includes receptions for all seven of our gallery spaces. This series gives the public a chance to meet and interact with visiting artists and discuss their work as it is on display and available for purchase. Come out\, enjoy a pleasant evening\, and maybe you’ll find that special piece of art that speaks to you!  The Open Studio Night reception is Saturday\, August 29 from 5-7 pm. \n  \n 
URL:https://lowemill.art/event/mary-beth-johns-as-they-are/
LOCATION:First Floor Ramp Gallery
CATEGORIES:Coming Soon,Featured,Free Events,Galleries,No button,Open Studio Nights
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20260830
DTSTAMP:20260523T182110
CREATED:20260523T171059Z
LAST-MODIFIED:20260523T214007Z
UID:10031472-1780444800-1788047999@lowemill.art
SUMMARY:Mike Mare and Neil Kendricks-   Temple of Story: Witness
DESCRIPTION:This exhibition round includes works provided by Mike Mare and Neil Kendricks which will be on view in the First Floor West Gallery from June 3 – August 29\, 2026.  Lowe Mill A&E invites patrons and art lovers to join us for Open Studio Night\, a building-wide experience when our over 150 studios will be open to the public.  The evening also includes receptions for all seven of our gallery spaces. This series gives the public a chance to meet and interact with visiting artists and discuss their work as it is on display and available for purchase. Come out\, enjoy a pleasant evening\, and maybe you’ll find that special piece of art that speaks to you!  The Open Studio Night reception is Saturday\, August 29 from 5-7 pm. \n  \nAbout the exhibit: \nTemple of Story is an ongoing narrative installation series by visual artist/ writer Neil Kendricks and composer/ sound artist Mike Mare. The artists’ longtime friendship and collaboration thrives on the interplay of images and sounds to approach storytelling as a quiet inheritance – shaped by memory\, imagination and what passes between them. Gradually\, meanings of specific pieces emerge as the gallery is transformed into a space for reflection. In these new works Temple of Story: Witness\, stories are deliberately left ambiguous and unresolved. As these haunting stories\, mysterious images and lush soundscapes are sent out into the world\, the stories are carried\, remembered and reshaped over time. \n  \nAbout the artists: \nMike Mare and Neil Kendricks are multidisciplinary artists whose collaborative work exists at the intersection of sound\, image\, and narrative. Together\, they create immersive environments where experience is not fixed\, but felt—emerging through tone\, texture\, and presence.  \nNeil Kendricks is an artist\, filmmaker\, writer\, photographer\, and educator whose work moves fluidly between film and mixed-media practices. He holds a Master’s degree in Television\, Film and New Media from San Diego State University. His films—including Loop\, Memory Lines\, Suspension\, and the award-winning Book of Skin—have screened at international festivals. His visual work reflects on identity and the lasting imprint of systemic structures\, as seen in his residency at Art Produce and subsequent exhibitions. Across mediums\, Kendricks builds worlds that feel both intimate and unresolved\, where meaning gathers slowly.  \nMike Mare is a composer and sound artist working with texture as a primary language—layering electronics\, ambient guitar\, and tonal drift into immersive sonic environments. His work spans film\, installation\, and performance\, with credits including Betrayal at Attica (HBO)\, the award-winning New York Seen From Above (The New Yorker Documentary Series)\, and Book of Skin\, for which he composed the score and sound design—extending his practice of creating sound that inhabits image rather than accompanies it. He is best known as a member and co-producer of the influential hip-hop group Dälek\, the UK-based band Holy Scum\, and his varied solo and collaborative projects\, moving between disciplines with a sensitivity to space\, weight\, and resonance. His compositions often hover between the cinematic and the abstract\, shaping emotional undercurrents rather than directing them.  \nTogether\, Mare and Kendricks approach storytelling as a quiet inheritance—something carried\, altered\, and passed between forms. Their collaborative work resists linear resolution\, inviting a slower encounter where sound and image intertwine\, and meaning is discovered through attention\, reflection\, and time.
URL:https://lowemill.art/event/mike-mare-and-neil-kendriks-temple-of-story-witness/
LOCATION:First Floor West Gallery
CATEGORIES:Coming Soon,Featured,Free Events,Galleries,No button,Open Studio Nights
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260817T183000
DTEND;TZID=America/Chicago:20260817T193000
DTSTAMP:20260523T182110
CREATED:20260415T163315Z
LAST-MODIFIED:20260415T163315Z
UID:10032637-1786991400-1786995000@lowemill.art
SUMMARY:Celtic (céilí ) Dance Classes
DESCRIPTION:Learn Irish and Scots ceili dances in a casual\, relaxed setting. No high kicks\, leaps\, or hard shoes required\, just a desire to have fun dancing ceili party dances. Be ready to join in the sets for St. Patrick’s Day or Burns Night or any other time there’s celtic music available to dance to. \nThe goal of this class is to teach you the basics of Irish and Scots ceili dances\, along with some of the more widely known dances. \nWhile we probably can’t cover dances from all seven Celtic Nations\, we’ll do our best to present a wide selection of celtic dance and have a good time dancing it. No previous experience or partners required. Learn everything you ever wanted to know about celtic dance but were afraid to ask. \nSaturdays from 4:30pm-5:30pm. \n$15/$10 students. Cash or Venmo. \nThis class is drop in friendly. We’ll keep dancing previous dances as we continue to learn new ones
URL:https://lowemill.art/event/celtic-ceili-dance-classes-2/2026-08-17/
LOCATION:Josephine Glass | Studio 2008 | Saturn Jive Dance Space
CATEGORIES:Classes & Wokshops,Featured
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